



"The Besnard Lakes Are The Roaring Night is a dark bliss-out that folds the eerie guitar epics of the band’s breakthrough, The Besnard Lakes Are the Dark Horse, into a wall of affected drones and atmospherics. The toughened immediacy and grit that gives the form a much-needed shove over the cliffs makes for a haunting, provocative swan dive into the crushing tide."The Besnard Lakes will be making their way to Austin for SXSW, something I don't plan to miss. Singer/guitarist Jace Lasek has also launched a new side project with Besnard Lakes co-founder Michael Gardiner. Dubbed The Soft Province, their self-titled debut album will be out sometime this year through Three Ring Records.
"We got back from Europe and I worked out the songs that I had already started, wrote some more and sent cassette tapes of the songs to Tim, Jenna and Seth. When they got the tapes they all called me back and said they didn't know what they were going to play, but they were interested to try. Then the three of us; Greg, Philip and I, drove out from Austin and played a few shows to get to LA. We met up with Tim, Jenna and Seth, went over to our friend John's house, and rehearsed for a couple hours. The next day, we played FYF Fest, two days later we went to Costa Mesa, and two weeks later we came out with Be Brave."The Strange Boys will be on the road again soon in support of the new album, playing with the likes of Ty Segall, Spoon, and Deerhunter. They are at Emo's on Friday, February 19 with Chain & the Gang, YellowFever, and Cowabunga Babes.


Swim Tracklist + MP3:
1. Odessafrom The Milk Of Human Kindness:
2. Sun
3. Kaili
4. Found Out
5. Bowls
6. Leave House
7. Hannibal
8. Lalibela
9. Jamelia


Fredrik - Viskra from The Kora Records on Vimeo.
Beach House "Silver Soul" from Sub Pop Records on Vimeo.
Parenthetical Girls "Evelyn McHale" on Vimeo.
Love at 20: 'Waiting' (Music Video) on Vimeo.

"The music on Black Noise balances precariously on the slippery threshold between art and nature, between techno and folklore. Nature and technology become indistinguishable, all authenticity evaporates. On this album, rifts, fractures, and digressions are not flaws in the system but acoustic micro-vectors that drive the narrative. The intros serve to present the source sounds recorded “out there”—knocking, barking, ringing, tinkling which are then soon caught in the currents of vaguely psychedelic mutations. Noises blend into one another, and the most diverse acoustic designs are in play: steel drums and marimbas as well as physical modeling."

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