Thursday, June 28, 2007

An hour of Austin music

I have lived in Austin long enough that I sometimes take for granted the fact that there is a never-ending reserve of good music being created around me, so grabbing a few handfuls of this stuff from time to time and putting it all together in one place is one way of keeping up with what's happening. I have made mention most of these bands at some point since starting this blog last summer, so some of this will be a refresher with new material, and the remaining will be something new that you might not have heard yet.

There's a short description with links to use for further perusal, plus one track to hear from each artist. I've got a handful of new demos, a couple of blasts from the past, and a necessary dose of weirdness from Loren Dent. If you've got an hour to spare, take the time wrap your ears around some of the music that is coming out of Austin. I will probably upload individual tracks later, and for now you can follow the links to download this thing in Part 1 and Part 2.

I can remember seeing Mandible play a few years ago on the inside stage at Stubb's, and I had always wanted to pick up a CD of theirs. Years later it finally happened when I picked up the new album they've just put out titled (Here Come The) Mandible. Here's some of their info from Wiki: "Mandible is an alt rock/hard pop band out of Austin, Texas. The group is known for its wry humor, art rock style musical arrangements, and progressive rock influences. But the band is perhaps most infamous for their unpredictable (and loud) live shows. The quintet often wraps its considerable chops around multiple time signatures and whiplash stylistic changes in the space of a single song, and the audience is never quite sure whether the number will end in a sublime cathartic moment or a heinous train wreck. Or from gig to gig, whether the band will show up dressed in bird suits, as failed superheroes or Wizard of Oz characters, or in regular street clothes. But that's part of the fun, and the intrigue, of following this particular group."
The instrumental quartet Cue are ready to release their new album titled Wedding Song, and the CD release is taking place here in Austin at the Emo’s Lounge this Friday, June 29th, 2007. While I wait for a physical copy of the album to arrive in the mail, here is one of the demos that you can check out at their official site. I'm really enjoying this track...
Okkervil River have a new album titled The Stage Names that will hit shelves on August 7th, and it is yet another fantastic release to add to the band's strong repertoire. "Unless It's Kicks" is the second of nine songs that will be featured on their fourth album for Jagjaguwar. Feel free to let it make you jump around in front of your computer...
Oh No! Oh My! will soon offer up a new EP via Dim Mak Records titled Between the Devil and the Sea, to follow their eye opening self-titled debut album from last year. They have given us a glimpse of the new EP with this track filled with hand clap harmonies, and you can hear more at the MySpace.
The Black & White Years are a pop-rock-reggae trio who recorded 14 tracks for their debut album out in California with Jerry Harrison of the Talking Heads, and they were kind enough to send over a few tracks in advance of the album's release including "Power to Change." This track makes me want to boogie.
I was first introduced to the fine sounds of AM Syndicate at one of the Locals at La Zona shows last month that were put on by Do512 and Direct Events. I was impressed right away by their melodic songwriting, and before the night was over I made off with one of of their EPs so that I could hear more. Described as "a constantly evolving musical experiment - both catchy and challenging - a cross between the Arcade Fire and the Animal Collective," AM Syndicate have a full-length album and a few EPs under their belt that you can get your hands on. Check out their sound and head to the Austinist to read an interview with lead musician Omar Chavez.
A few words on Zykos from their MySpace: "After helping to define one of the most relevant independent music scenes in the US, Ausitn's Zykos are now poised for their own breakout. Since their inception in 2003, local and national critics alike have been showering Zykos with praise for their assured performances and inventive songwriting. Having released two records nationally and compiled a host of successful tours with many of your favorite bands (Cursive, TV on the Radio, Explosions in the Sky, Okkervill River, Ben Lee, Har Mar, Ed Harcourt, The Good life, and The Hold Steady), Zykos spent the last few years revitalizing their song catalog. Their latest approach is one that feels much more informed by "the classics" than contemporary trends. Despite the shift towards a more epic sound with bigger harmonies, this quintet maintains all of their trademark chill-inducing intensity. From introspective, slow-burning choral landscapes to chaotic, combustible pop, this is a versatile rock band not afraid to explore myriad sonic impulses with equal proficiency." You can get the new demo below plus three more tracks at their MySpace.
Red Hunter has been touring across the country this summer, and while he's been out there on the road he's been offering a 10 track tour-only Peter and the Wolf album which he calls Fireflies. The last time we spoke he mentioned a new album that might be titled Sun Chasers might be coming over the summer or perhaps in the fall, and once it's out I'll surely be saying something about it here.
Abandoned Love Records sent over an advance copy of the soon to be released Virgin of the Birds EP, and it didn't take long for the EPs seven tracks to get my attention. Austin Sound are big fans of the release as well: Continually surprising in their off-kilter contortions and vivid evocations, the seven songs most closely recall Destroyer’s Dan Bejar, though with less lyrical density or self-referentiality. “Sisters at the Sound of Dawn” and “Hey Kirsten” are probably most closely Bejar-ian, the former offering lyrics such as “Oh Sister, much the wiser, why do you stand tall beside her? And pretense, is it a virtue, or just a heavy method employed to hold you?” while the latter opens ““Hey Kirsten why’d you go and follow me to the Church of Restitution, you know that I’m in charge of the recruitment.” Yet Rooney gives the songs much more room to breathe than Destroyer, which works well for the general folk-pop feel throughout the album."
I caught up with Austin's own Zookeeper during a Locals at La Zona show, and shortly afterwords I received this message from Fanatic Media: "Chris Simpson has always been something of a virtuoso when it comes to songwriting. So it should come as no surprise that the former frontman for influential late 90s' bands Mineral and The Gloria Record has spent the last several years hunkered down in Austin, Texas, doing exactly what he does best: creating voluminous works of intelligent, naked rock n' roll. Only this time he is taking a distinct departure from his emo-indie days. His latest work, a solo, self-titled EP created under his new moniker, Zookeeper, bursts with melodies and rhythms that don't suggest Radiohead's The Bends so much as they do Van Morrison's Astral Weeks, and a gusto that calls to mind T-Rex more than U2. Fans old and new are raving about his recent musical turn which Hybrid Magazine gushed, “may just be the best jangling, loose pop record you hear all year.”
The Drawing Board played this track when I caught their Locals at La Zona set, and it's been stuck in my head pretty much ever since. "The Writer" is a new demo that they've just released on the heels of their well-received debut album Clear To The Far Side Of Way Over Yonder. Here is what Fifth Column thought about their debut release: "Austin via Los Angeles via Austin...it looks like the Drawing Board have finally settled down for a bit, the bastard sons of Jellyfish and Elvis Costello have delivered a dizzying, hook laden, harmony drenched debut which only hints at the firepower they bring to bear in the live show. This complicated record dangles indie rock over the lounge precipice and chuckles while it squirms." Check out their newest song below and say something nice to them at MySpace.
The alt/rock/country/boozing 6-piece Li'l Cap'n Travis finally have a new offering to follow their standout 2004 release of In All Their Splendor, which I've probably listened to so many times that the grooves in the CD are beginning to wear out. One of the new tracks is available for download at the official site, and it makes the description "southern-fried guitar wankery with sunny psychedelic sway and languidly introspective songcraft" sound as accurate as any that I've read. The track below comes from a compilation album that I stumbled upon at some point...
A Pocketful of Deng caught my attention at one of the Locals at La Zona shows, and they were kind enough to hook me up with their album titled Boxed In, from which the track below is taken. Here is a brief description of the band from the Emergenza Music Festival site: "A Pocketful of Deng is taking a different approach to music by daring to start their own genre of rock called "Pocket Fusion." They rely on the distinct differences between the five members in order to create an entirely new sound. Some may say it sounds like The Doors, or Blues Travler, or Radio Head, or something more! It's high energy and you can dance to it, and it will surely leave you stunned."
I gave a heads-up on The Politics back in October, and since that time the dudes have written, recorded, and released their rock guitar-filled debut album These Bridges Will Not Stand. Here are a few words from their MySpace page: "Formed in February of 2006, The Politics music is the end product of countless hours of rehearsal, years and years of various musical influences and nothing short of a pure and passionate love for music. Derived from three musically addicted souls from Austin, TX, The Politics are nothing to mess with. An introduction is in order, Andrew Campbell on bass, Patrick Gonzalez taking care of guitar and vocals and Steven Gonzalez on drums."
I told you all about Chili Cold Blood album back in April, and here's another groovy track from their latest album.
The War Against Sleep are a group of local musicians doing what they can to obtain a foothold on the music map, forming the band after four years of promoting upcoming artists on the now-defunct Austin Music Network. The three VJ's and one Editor were forced to find another creative outlet after the city pulled the plug on the station in September 2005, and it was only logical that they would gravitate towards what they knew best, music. Instead of promoting other artists, this time around they would handle the instruments themselves and let their own voices be heard.

The War Against Sleep began as Jason Thomas (keys, drums, vox, noises, percussion,) Ryan Williams (keys, vox, guitar, bass,) Alex Bothstede (keys, vox, guitar, bass, drums,) and Chris Heckendorn (main vox, keys, guitar, bass, drums,) though these days they keep the creative energy refreshed by featuring a small rotation of artists who lend their talents to the band in the form additional instrumentation.
White Denim are a spastic rock trio that I've told you about a time or two in the past, and they've just released the Let's Talk About It EP for your aural consumption. The EP contains 6 tracks including the one below, and you can easily get a hold of it by heading over to iTunes. Do not adjust your radio. Do buy the EP.
Explosions in the Sky was formed in Austin in 1999, and shortly thereafter they released their debut album and never looked back. Here is what Wiki has to tell us: "How Strange, Innocence is the first album recorded by post-rock band Explosions in the Sky, released on January 17, 2000. It is their only album for the Sad Loud America label. Initially only 300 copies were issued in the form of CD-Rs. Due to many requests from fans, the album was remastered from the original master tapes and with new artwork, reissued by Temporary Residence Limited on October 11, 2005."
Via Contract Killers Records: "Loren Dent is an Austin-based aural architect, musician, and producer. Having cut his teeth as a founding member of the critically acclaimed orchestral rock group, Purchase New York, his solo efforts (often years in the making) incorporate humming static, chasmal feedback, and sonic objet trouvés all meticulously assembled into a warm, " joyous drone."
A few words on Daniel Johnston from eMusic: "As with other talented but troubled artists such as Syd Barrett, Brian Wilson, and Roky Erickson, Daniel Johnston fights a daily battle with the chronic mental illness that has plagued him nearly his entire life. However, despite recurrent bouts of delusional behavior wherein he has physically endangered himself and others, Johnston has carved out a respectable, influential career as a singer/songwriter of extraordinary talent who has grown since his first crudely recorded cassette was released in 1980." Here is one of those crudely recorded cassette tracks...
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Daytrotter
also recently featured a few local acts, and you can follow the links to read about the artists and get free downloads of each of them.

Monday, June 25, 2007

It came from the UK

It's been a while since the last UK entry, mostly because I've been running short on ammunition with which to fill these posts. A fresh shipment of supplies was just air-dropped at headquarters along with a healthy ration of new local music, so this set of sounds from over there will shortly be followed by a set of sounds from over here. Here we go...

Hot Chip played a ~30 minute set just the other day at the Glastonbury Festival in the rural town of Pilton, England, which played host to over 700 acts on over 80 stages in 2007. Talk about a music festival. 700 acts on 80 stages? That is rediculous. I would chop Hot Chip's live set into individual tracks, but it's much more feng shui to just hit play and let the good times roll.

Info via NME: Hot Chip closed the John Peel Stage on June 22 at Glastonbury with an energy charged performance which saw the band cover New Order.

The dance five-piece thrilled the crowd with a series of tracks from their recent album 'The Warning' and their 2004 debut 'Coming On Strong'. Kicking off with 'Bendable Poseable' the band also played new track 'Shake A Fist' and mixed 'My Piano' with a rousing rendition of New Order's classic '80s hit single 'Temptation'. During the performance, singer Alexis Taylor also dedicated 'No Fit State' to his wife, before the dance outfit rounded off their show to huge cheers as the crowd sang along to every word of hit single 'Over And Over'. Although the band were keen to play another song, they were forced to cut their set short due to Glastonbury's curfew.

Setlist:
  1. Bendable Poseable
  2. Shake A Fist
  3. Boy From School
  4. Out At The Picture
  5. (Just Like We) Breakdown
  6. No Fit State
  7. My Piano/Temptation
  8. Over And Over
I also came across a very lounge-friendly remix of their track "Colours," dubbed the Fred Falke Remix. It's very chill. Also I've got a great version of "Careful" from their exclusive iTunes Live Session EP, get down on it.

I downloaded a track from this band's MySpace page at some point, but had completely forgotten about it until I heard the song again recently while I had the iTunes on shuffle. The band is called Ellis Island Sound, and they make great music to relax with. It's nothing that you'll rock out to or put on at a party, rather this stuff sets the perfect vibe for just hanging out late at night while doing nothing in particular. Entirely instrumental, Ellis Island Sound work mostly in downtempo with acoustic instruments and other miscellaneous noise making devices. Here's a bit of info on the band via Wiki:
After a limited edition, vinyl only mini album (Home Service released by Static Caravan in 2003) EIS regrouped to record a self styled 'agrarian' album, The Good Seed, in 2005. Slated for release on February 19th '07 on the Peacefrog label, it was recorded in a tiny, deconsecrated chapel in the Waveney Valley on the Suffolk/Norfolk border. The Good Seed features twenty rustic-yet-sophisticated new recordings concocted from acoustic instruments that range from parlour guitars and ukuleles to pump harmoniums, dulcimers, goat skin drums and washboards. Recorded on an arcane 8-track tape recorder, it presents a stripped down EIS, though still finds room for such instrumental exotica as stylophones, a mini-sampler, a Bentley Rhythm Ace drum machine and miscellaneous noise making devices. Josh Hillman (of the Willard Grant Conspiracy) contributes violin, viola and pedal steel.

Since the completing the record Astor and Sheppard have gathered around them a throng of gifted young musicians (ten at the last count) – sometimes referred to as ‘The Ellis Island Sound Orchestra’ - to tour throughout 2007 playing songs from The Good Seed.
These people make good music, get out there and try to get your hands on some of it. Visit Ellis Island Sound at MySpace and at their official site.

Another act whose name has been popping up over and over again is Los Campesinos!, who are a seven piece indie pop band out of Cardiff, Wales. The info below comes from Wiki:
The band performed their first gig on May 8th 2006, and went on to play a number of increasingly well-received gigs around Cardiff. An early demo was recorded featuring the songs "Death To Los Campesinos!", "It Started With A Mixx", "Sweet Dreams Sweet Cheeks", and live favourite "You! Me! Dancing!". The songs were posted on the internet, bolstering the popularity established by their energetic live shows and earning them airplay on Beth & Huw's evening show on BBC Radio 1 Wales. The band's reputation continued to grow, and in August 2006 landed them a slot supporting Canadian supergroup Broken Social Scene.

In November 2006, they were signed by Wichita Recordings, who put out their first single on 26 February 2007, a double A-side featuring new songs "We Throw Parties, You Throw Knives" and "Don't Tell Me To Do The Math(s)". In April the band signed to Canadian label Arts & Crafts for Canadian and North American releases.

In June 2007 the band released "You! Me! Dancing!" on limited edition 7" coloured vinyl, accompanied by a handful of dates playing Bath, Newport, Cardiff and London. The Sticking Fingers Into Sockets EP will be released on July 3rd via Arts & Crafts (Feist, Phoenix, BSS,) it was produced by Broken Social Scene collaborator Dave Newfeld and includes a cover of Pavement's "Frontwards."

Friday, June 22, 2007

Female French Pop

Earlier this week I discovered a French band called the Plastiscines thanks to a tip from a friend. They're an all-female rock quartet out of Paris whose influences "include the White Stripes, the Strokes and, from an earlier generation, the Kinks and Blondie. Their name derives from the phrase "plasticine porters with looking glass ties," from the Beatles song "Lucy in the Sky with Diamonds." They've just released their debut album titled LP1 this year.

Thinking the Plastiscines had a pretty cool sound, I figured I'd use them as a starting point for a little playlist of female French pop. I found a track from another French band named Curlee Wurlee, who play "a mix of 60s oriented organ driven beat, surf and fuzz garage punk consisting of original compositions in Frenglish (statistically speaking something around 60% English/Frenglish, 40% French, 10% instrumentals and 1,7% German which makes out a total of 111,7%.)"

Follow the links to get more...
I finished the list off with a few French cover versions of songs that are, for the most part, instantly recognizable. One comes from the Ultra Chicks series, one comes from Fabienne DelSol, a couple more come from the Pop A Paris compilation, and I picked a handful from the catalog of Sylvie Vartan, whom you can read about here and here.

The first person to leave a comment identifying each of the covers might just win a sweet prize of some sort. The only hint I'll give is that "Ne Le Decois Pas" was also covered by my favorite cover band from Detroit. Enjoy!

Wednesday, June 20, 2007

Wake Your Ears Up

Earlier this week I received word about yet another exciting act who call Baltimore home. They're called The Death Set, and they have an album coming out next week via Morphius titled Rad Warehouses Bad Neighborhoods. It immediately caught my attention when I first turned it on, and I've found myself listening to it over and over again to shake cobwebs of dull music out of my ears. They sound like The Go! Team jacked up on Red Bull and meth. Basically, the antithesis of boring.

I would recommend taking a listen to the full album opposed to just sampling the two tracks below, but check it out either way. I didn't know what to think of this one at first, but for some reason I can't stop listening to it. Make sure to listen to "Zombie," that's a rock & roll song right there.

Listen: The Death Set - Rad Warehouses Bad Neighborhoods
And one more from their album simply titled To, which you can pick up at eMusic..
From Morphius:
Originally formed in Sydney, Australia during 2005, The Death Set relocated halfway across the world, settling between Brooklyn & Baltimore. Immediately on arrival they began dishing out incendiary live shows all over the place, shortly followed by the release of their debut CD, entitled “To”. That EP along with The Death Set’s first performances in the U.S. earned them awards such as Baltimore City Paper’s Best Live Band 2006, and Best Show of 2006 from Pitchfork contributor Girl Talk (from a Pittsburgh performance with Dan Deacon). In late 2006, after a short break from U.S. touring, the band traveled back overseas for an east coast Australian tour which included major launch parties. After resolving some immigration issues and wrapping up production on a new batch of songs, visual artist Beau Velasco and frontman/producer Johnny Siera returned to the U.S. to complete their follow-up CD release: Rad Warehouses Bad Neighborhoods, which is being released in the U.S. on June 26th.

Still sporting jury-rigged equipment and throwing down fuzzed-out distortion laden vocals, The Death Set pick up right where they left off –12 great genre-smashing tracks to entice a diverse group of listeners with the band’s addictive pop-art parody. Ever-present are their blistering signature co-leads and searing guitar riffs, set against ingeniously crafted post-casiotone backing tracks.
The Death Set will be in Austin on July 1st at the Beauty Bar. Check out the rest of the tour dates at myspace.

Friday, June 15, 2007

The ten best White Stripes songs you've (probably) never heard

Early on in their career The White Stripes were quite fond of releasing vinyl singles that were limited to a certain number of copies. If you keep an eye on a few eBay auctions you can usually score one or more of those old records, for the right price of course. Luckily if you look in the right places these days you can find most of that obscure material in a digital-friendly format. Some of the tracks you'll find sound like they were b-sides for a good reason, but there are a handful of rare Stripes tracks that would actually be worth the price you would have to pay to pick them up on vinyl. I have listened through all of the lesser-known tracks that I could possibly get my hands on, and now that I'm back from last week's hiatus I'll be sharing the ones I feel are the ten best.

The first 5:


History: During their 2005/06 tour the White Stripes sold a small record player at their merch stand. These Triple Inchophones were the trademark red & white of the band and did not sell too well at first, until Jack explained exactly what they were on the bands' official site. The record players were made by a Japanese company called 8-ball Bandai. These record players could only play 3-inch records. When Jack and Meg White invested in buying the machines from the company they were led to believe there were many units ready for distribution; in fact, the company had destroyed all but 400 of their units.

The White Stripes proceeded to buy these remaining 400 units and sell them on tour along with a set of specially made 3-inch singles. The cost price of a unit at the shows was between 120 $. The inchophone can now fetch up to 850 $ among collectors.

Jack remastered and remixed six of the White Stripes previous releases into a 3-inch format for release with the Triple Inchophone. These included Hotel Yorba, Dead Leaves and the Dirty Ground, Fell in Love with a Girl, Seven Nation Army, The Hardest Button to Button (with an alternative sleeve), and Blue Orchid (also with an alternative sleeve). Also produced was a previously unreleased track, "Top Special", only ever released in the 3-inch format. The "Top Special" single was rumoured to be limited to only 100 copies. So not even everyone who bought an inchophone got a "Top Special". However recent sources confirm that 1000 copies of every 3" single were produced including the Denial Twist AND Top Special. The term "top special" was reported to be Japanese slang for "best friend", while it is actually a Northern British euphemism.


History: "Party of Special Things to Do" is a single by The White Stripes, which is a cover of a song by Captain Beefheart, whose music was a catalyst in Jack White's distinct musical sound. Released in December 2000, the 7" record also contains two other Captain Beefheart covers. It was released as part of the Sub Pop Singles Club in a limited edition pressing of 1300 records on half red, half white vinyl.



History: "Lafayette Blues" is a single by The White Stripes. However, only "Sugar Never Tasted So Good" appeared on the bands eponymous debut album, The White Stripes. 1,000 copies were released in October of 1998 (see 1998 in music) on white vinyl. In 2001 a second edition of 1000 black vinyl were released.

The lyrics of "Lafayette Blues" are a list of French names of streets in the band's hometown of Detroit, Michigan. Although the lyrics have changed over time, and are not always sung the same way, here is how they are recited on the recorded version: "Marantette, Leverette, Lannette, Lafayette, Livernois, Labrosse, Louis, Metatal, Rochelle, Marcelle, Riopelle, Manistique, and Armour, ohh, ohh, hmmmmmmm, Mercier, Le May, Tournier, Salliote, and Le Roy, Montlieu, Cadieux, Neveaux Avenue En Detroit, well I'm ready teddy, I'm ready, ready teddy to, rock & roll. Lamphere, Belle Terre, Marcelle, Metetal, Rouge, Le Blanc."


History: This is a Brendan Benson cover of a track from his 2002 album titled Lapalco. So far this cover has only been found on the 7 Nation Army 7'' single and the 7 Nation Army CD single that also features another b-side titled "Black Jack Davey."



History: First released in 2000 on a split 7'' with fellow Detroit rockers The Dirtbombs, it was made available via Extra Ball Records and given away for free inside copies of Multiball Magazine #19. Later released on the Hot Pinball Rock Vol. 1 CD with the alternate spelling of "Hand Springs," again in 2002 on the White Blood Cells Bonus Tracks CDEP, as well as on import versions of White Blood Cells.

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The second 5:

One of my favorite tunes, and by far the best version of it that I have ever heard. Turn the volume up, up, up. Originally recorded on the BBC's Radio 1, it was released on the Dead Leaves And The Dirty Ground 7" and CDEP in 2002.Another of the Captain Beefheart covers that was released on the 7'' along with "Party of Special Things To Do." The original version was released on the 1969 double-album titled Trout Mask Replica.
This is the Blind Willie McTell cover that I've heard a few different live versions of, but until recently I had never heard the 7'' version that was released by Sympathy For The Record Industry in 2000.
Quoted: "In her heyday, Lynn was no stranger to controversy. She had more banned songs than any other artist in the history of country music, including "Rated X", about the double standards divorced women face." Originally released in 1973 on her Entertainer of the Year album, this version was released in 2001 on the Hotel Yorba 7'' and CD single.This somewhat odd track was followed by the even stranger "Who's A Big Baby?" on the "Blue Orchid" 7'' and CD single from 2005.

Tuesday, June 12, 2007

Watch Holy Fuck

The good folks over at VBS got to spend a little quality time recently with our pals Holy Fuck at their practice space in Brooklyn. What the fuck is VBS, you say?
VBS is an online broadcast network. We stream original content, free of charge and 24 hours a day. We carry a mix of domestic and international news, pop and underground culture coverage, and the best music in the world. People have used words like eclectic, smart, funny, shocking, and revolutionary to describe VBS, but we kind of just snapped our fingers in their faces and went, “Whatever. Tell us something we don’t know.”

With Academy Award-nominated director Spike Jonze (Adaptation, Being John Malkovich) as our creative director, original content from a veritable United Nations of contributors, and bureaus in 20 countries, VBS has hit the planet in a manner not unlike a massive global plague. Streaming on VBS’s signature “in-room” widescreen and remote, content will be available all the time, on-demand.
Check out their visit with Holy Fuck at VBS.tv

....Here's another single from their new EP that came out in March, along with a live version of "Safari" that was recorded for XM Radio. Get the EP + more live tracks at HolyFuckmusic.com
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Note: This will probably be my last update until the weekend, as I have matters to attend to. Until then...

Saturday, June 09, 2007

The Hallelujah Mix

A blurb yanked from yesterday's news: "Her blond hair was pulled back in a disheveled knot, in contrast to the glamorous side-swept style in her booking photo from earlier in the week. At one point during the proceedings, Paris Hilton made the sign of the cross and appeared to be praying."

Are you fucking serious? Deepthroat Hilton is sitting in court, making the sign of the cross and praying to get out of jail time for drunk driving or whatever the hell it was? You've got to be friggin kidding me. That's about the equivalent of Mel Gibson converting to judaism and then making a Passion of the Christ sequel. Someone please wake me when this isn't a top news story anymore. I've got more important things to occupy my time, like figuring out where I can buy some green shoe strings. It isn't that easy, friends.

On a whim I decided to search my music library for religious themes, and came up with some (surprisingly) good results. An eclectic mix of music, that's for sure. An intro from Echoboy and his acordian is followed by some blues from the Soledad Brothers, and a 1927 original from the legendary Blind Willie Johnson.

After that comes some acoustic John Lennon, a nice Beach Boys cover from Ben Kweller, and a couple of live tracks from Jeff Tweedy (thanks Southside) & Jeff Mangum.

Rounding out the list is a lo-fi B-side from Two Gallants (thanks the punkguy), some good-old Beulah, and a little comic relief from The D.

Take it for a spin:

A few other tracks that were considered:
  • The Veils - "Jesus For The Jugular"
  • Mr. Airplane Man - "Jesus On The Mainline"
  • The Byrds - "Jesus Is Just Alright"
  • El Perro Del Mar - "God Knows"
  • Pink Mountaintops - "Lord, Let Us Shine"
  • The White Stripes - "Lord, Send Me an Angel"
  • Johnny Cash - "Personal Jesus"
  • Shellac - "Prayer to God"
  • Slayer - "I'm Gonna Be Your God" (the Stooges)
  • DJ Drama - "Jesus Walks" (Paul Wall feat. Bun B)

Friday, June 08, 2007

From the Inbox...

There is usually a bunch of good stuff lurking around in my inbox, and when I take a little time to listen through it, here is what I find:

A fan of the North Carolina-based Bowerbirds was kind enough to bring this band to my attention, whom he said are "an earth/nature-bound duo (Phil Moore and Beth Tacular) who create gorgeous music (with the help of a 3rd friend, Mark Paulson) using bird-like 3-part harmonies, organic percussives, and unconventional chords/song structures." This page gives a lengthier introduction to the band:
Dude from Ticonderoga, who were pretty awesome, has a new band called the Bowerbirds*, who're straight-up great. I saw them at Bull City Records last week; their three-part harmonies were the sweetest singing I have heard from an indie band maybe ever. Their recordings to date are quite good, though they don't quite do full justice to just how gorgeous their voices are when experienced all in the same space. The melodies, though, could have been recorded on a dictaphone and it wouldn't matter: dude has got the goods. The lyrics, the singing both solo and in magnificent unbelievable nobody's-doing-stuff-this-cool trio unison, the wistul groove. The letter-perfect choruses. They are my favorite new band in forever. They have a Myspace here, which has the entire EP on it; I shudder when I think of people hearing great music through Myspace pages rather than in person or on a decent stereo...

I wanted to indulge you a bit on a band I love that, like most, has fallen under the radar due to the nature of media inundation these days (yes I'm a part of it, but my loyalty is to the underdogs). The band is called History At Our Disposal - HaoD is one person, Jason Reimer, from Denton, TX and he his new album is called Symbols In the Architecture on Creative Capitalism. If you're remotely into any of the bands listed below you might want to give Jason's music a shot.

Jason used to play in the Baptist Generals (formerly on Sub Pop) and when he started HaoD several years ago his live show began to garner a reputation for being unpredictable, hinting at bands like Can, Fugazi and Amon Duul. Soon after HaoD was performing with such groups as the 90 Day Men, Daniel Johnston, Paper Chase and American Analog Set. Symbols is the followup to debut LP Novella, and it takes notes from This Heat, Brian Eno, Charles Mingus and Tom Waits, with lyrics embodying mostly Orwellian themes.

As it turns out, The Loose Salute is not an amazing Mojave3 side-project, but just an amazing project in itself. According to a statement by The Loose Salute founder and Mojave3 drummer Ian McCutcheon, “There are no plans what-so-ever to record another Mojave3 record.” McCutcheon went on to assert that his main concern and only musical concern presently is The Loose Salute.

The Loose Salute is essentially a pop group, with both folk and country overtones that draws songwriting influences from the likes of The Byrds, The Beach Boys, The Mamas and The Papas, The Eagles and Leonard Cohen. “Basically the albums in my parents’ record collection when I was growing up,” McCutcheon laughs.

Some of the more contemporary comparisons include the work of Elliott Smith, The Beachwood Sparks, The Tyde, Wilco, The Shins, Midlake and Dr. Dog. “You could say The Loose Salute sound borrows from all of these bands,” says McCutcheon.” The vibe is different from Mojave3. We’re more of a pop group. It’s a little more fun in places.”

The English band’s debut album Tuned To Love is a record full of summer sounds and nostalgia. These are songs that make you want to go out, find some friends and dance the night away. The songs are about all the facets of life: falling in and out of love, break-ups, partying, wanderlust, home-cookin’, surfing, travel, fields, beaches, stars and bars. “The general weight of the world,” explains McCutcheon.

Chicago’s Graveface Records – home to releases by Black Moth Super Rainbow, The Octopus Project and The Appleseed Cast – will release The Loose Salute’s debut album on June 12th, 2007. Tuned To Love was recorded with engineer Gareth Parton (The Beta Band, The Go Team, The Pipettes, Mojave3) and McCutcheon’s school-yard buddy, producer Pritpal Soor.
Armed with his Akai MPC, heritage and love for genre-bending music, SoCalled is a Yiddish rapping, accordion wielding, Klezmer hip hop maestro. Heralded by Jewish, Klezmer, and hip hop musicians alike, he builds Jewish music from the bottom-up.

For his second album, Ghettoblaster reaches back into the past and mines many varying influences rich with context. The entire album is an amalgamation of traditional and contemporary influences, evoking a sound reminiscent of the past while engaging listeners of all types. "Let's Get Wet" fuses a Klezmer feel with minimal hip-hop instrumentation, while "You Are Never Alone" relays a soulful hip-hop template enriched with SoCalled's unique creative flourishes that encompass a lifetime of Jewish and hip-hop influences. "My God is going to kick your God's ass!!!"...that's how Socalled's new record Ghettoblaster begins. A call to arms – or really – a call away from arms, to set the tone for this thoughtful, yet ridiculous album. Religious systems are fair game, as are crazy combinations like 92-year-old lounge lizard Irving Fields (Google “Bikinis and Bongos”) and underground MC C-Rayz Walz, or James Brown trombonist Fred Wesley and a choir of Hasidic children.
So what better a way to kick off Ghettoblaster than to go on a cruise with a bunch of old Jewish people and get the prestigious National Film Board to film it? Montreal filmmaker Garry Beitel tapped Canadian hip-hop beat maker Socalled (aka Josh Dolgin) to star in a feature length documentary based on his journey down the Dneiper River in the Ukraine, on the first ever Klezmer cruise. From Kiev to Odessa, Socalled shares his love of music and culture with the 150 other 'Klezmer enthusiasts' on the cruise in the aptly titled, “The Socalled Film.” Along the way, an additional camera crew documents the unique experience of filming on the ship on the daily updated video weblog.

Check out the video(s) here, and follow this one to hear the entire album.

Listen to Besnard Lakes

Sitting here testing out my new headphones, and the Besnard Lakes sound phenomenal on these things. I got tired of wearing around these huge pair of headphones that I've had forever, so I picked up a pair of Bose in-ear headphones that are about the size of the regular earbuds, except they sound way better. A little expensive, but worth it.

Anyway, the Besnard Lakes make some some good music, and I think you should listen to it. I said a few things about their newest album back in January, and just recently I picked up their debut album as well. Both albums are worth whatever they're charging, plus tip. The Besnard Lakes were formed by the husband and wife team of Jace Lasek and Olga Goreas, and they're from Montreal, Canada. Half orchestral rock, and half psychedelic pop, they're a standout on the Jagjaguwar roster. Words from eMusic:
The Besnard Lakes raise immediate comparisons to the Arcade Fire, but those are primarily due to accidents of geography and band chemistry: like the Arcade Fire, the Besnard Lakes are from Montreal and led by a married couple. That's largely where the similarities end, because if this Quebecois collective resembles any of its Canadian counterparts, it would be as an unexpectedly effective combination of the Dears' psychedelic pop hooks and the languid space rock ambience of early Broken Social Scene. The aforementioned married couple, singer and guitarist Jace Lasek and singer and bassist Olga Goreas, formed the Besnard Lakes in 2001 as a sideline to Lasek's day job as an in-demand producer at the Montreal recording studio he and Goreas own, Breakglass Studios. (Lasek has produced and engineered records by Wolf Parade, the Dears, Stars, and many other Canadian indie acts.)

The band was originally a full-time project, but before it could record its debut album, the other members of the band left. Undaunted, Lasek and Goreas recorded nearly all of 2003's Volume 1 on their own during down time at the studio, then self-released the result. Following the album's glowing reviews, a touring lineup eventually solidified, with guitarists Steve Raegele and Jeremiah Bullied and drummer Kevin Laing. During sessions for the band's second album, Bullied was replaced by Richard White and keyboardist and arranger Nicole Lizée joined the band. Signing to the venerable dream pop indie label Jagjaguwar, the Besnard Lakes released their second album, The Besnard Lakes Are the Dark Horse, in February 2007.
Listen to a couple of tracks from each of their albums, and then go out and buy them. From the label, the band, eMusic, Amazon, a record store, wherever.



The Besnard Lakes Are The Dark Horse (2007)




Wednesday, June 06, 2007

Getting Icky

I have been waiting to get my hands on a proper version of Icky Thump before sitting down and giving it an attentive listen, and today I had the chance to do that. Lordy, lordy, lordy. This album is friggin fantastic. Anyone who was disappointed with the direction that they took on Get Behind Me Satan will be thrilled to hear the Stripes back in the business of rock & roll. Here are my thoughts on each track as I first listened to it:
  1. "Icky Thump" - Everyone has surely this one already.
  2. "You Don't Know What Love Is (You Just Do as You're Told)" - Sounds at first very similar to "Dead Leaves and the Dirty Ground," so this one is pretty good by default. Add in the touch of organ with a high-pitched guitar solo on the end, and you've got yourself a winner.
  3. "300 MPH Torrential Outpour Blues" - This one takes it easy as the tension builds with sporadic guitar freakouts, with some nice acoustic strumming in the background the duration.
  4. "Conquest" - Bananas. Sounds like a rock & roll reproduction of a Tarzan musical that takes place deep in the jungle as a full band dances around an open fire, all being led Peter-Pan-style by Jack and his guitar.
  5. "Bone Broke" - Noise, yelling, feedback, and 100% guitar riffs.
  6. "Prickly Thorn, But Sweetly Worn" - The ad wizards over at Irish Spring could do some good things with this track. Bagpipes, rythmic percussion, with a banjo-esque (is that a banjo?) strum as the foundation of the whole thing.
  7. "St. Andrew (This Battle Is in the Air)" - General weirdness that spins off of the bagpipes and and hand-claps of the previous track, with a guitar freak-out and some chick trying to chat it up with St. Andrew.
  8. "Little Cream Soda" - Rock. I have to take a deep breath after this one. It kind of reminds me of earlier, heavier stuff like "Astro."
  9. "Rag & Bone" - Is vintage Stripes, with Jack & Meg interacting over cheeky dialog between three sections of their signature blues rock.
  10. "I'm Slowly Turning Into You" - Sounds at first like a Satan b-side, before a nasty, nasty guitar riff kicks in and does wonderous things for this track.
  11. "A Martyr For My Love For You" - At first sounds like the most "average" track on the album so far, until the hook comes in at 1:55 at gets you out of your seat with a quick head-banging section followed by an organ-filled "Doorbell"-esque dance groove.
  12. "Catch Hell Blues" - Holy rockamole. If I were a female, I would take my panties off and throw them at someone every time I heard this song.
  13. "Effect & Cause" - Another one of those Jack White front-porch-folk songs that every fan with an acoustic guitar will learn to play within a week of the album's release, and a good way to close out the album.




I really didn't know what to expect from this album, after the Stripes had wandered pretty far away (with the last album) from the style that had made me a fan in the first place. Whatever my expectations might have been, they were exceeded. I can't wait for the ACL Fest to get here.

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I've also got a White Stripes bootleg for you, though I'm not sure of the date that it took place. It is titled The Boston Tea Party, and it includes the Nat King Cole cover that I used recently, along with a few rare Stripes songs like "Look Me Over Closely," "Red Bird," and their cover of Blind Willie McTell's "Lord, Send Me An Angel." I'll up the first half below, and send the second over to Mediafire.

The White Stripes - Live at the Orpheum, Boston
  1. "Black Math"
  2. "Dead Leaves and the Dirty Ground"
  3. "Let's Shake Hands"
  4. "I Think I Smell A Rat"
  5. "Jolene"
  6. "The Hardest Button to Button"
  7. "Look Me Over Closely"
  8. "Apple Blossom"
  9. "You're Pretty Good Looking (For a Girl)"
  10. "In the Cold Cold Night"

Tuesday, June 05, 2007

Summer Songs, v.2

Now that it's officially upon us, here are ten more for your summer soundtrack. A few older ones are in there, with the Kinks from 1967, one of Pavement's early releases from 1992, and another from a 1997 Modest Mouse EP.

Coltrane Motion are sticking around in my rotation (@ Blog Fresh too,) and there's another from the Shaky Hands album that I told you about.

Follow the links to get more from these artists.
  1. Eels - "Mr. E's Beautiful Blues"
    "Goddamn right, it's a beautiful day"
    eelstheband.com

  2. Apples in Stereo - "The Rainbow"
    "And so it came to pass, I saw you on the grass"
    applesinstereo.com

  3. Islands - "Jogging Gorgeous Summer"
    "The sky's blue, so what should we do?"
    islandsareforever.com

  4. The Shaky Hands - "Sunburns"
    "You left sunburns on my face"
    theshakyhands.com

  5. Pavement - "Summer Baby"
    "Mixin' cocktails with a plastic-tipped cigar"
    wikipedia.org/Pavement

  6. Modest Mouse - "Summer"
    "Just the smell of the summer can make me fall in love"
    modestmousemusic.com

  7. Coltrane Motion - "Summertime"
    "Oh....oh...ohh yeah, right"
    coltranemotion.com

  8. The Walkmen - "Louisiana"
    "I got my hands full, all summer long"
    myspace/thewalkmen

  9. Beck - "Girl"
    "Hey, my sun-eyed girl"
    beck.com

  10. The Kinks - "Waterloo Sunset"
    "As long as I gaze on waterloo sunset, I am in paradise"
    wikipedia.org/TheKinks

Sunday, June 03, 2007

Beastie Boys just don't stop

How did three white Jewish kids from New York become one of the most influential musical groups of our lifetime? Lending a big hand in creation Def Jam Records helped. Being on the ground floor of the hip-hop movement that began to flourish in NY in the mid-80's was obviously an integral part of the process. Making friends with maestros such as Rick Rubin and the Dust Brothers was also necessary.

But, all of that would have been completely irrelevant if the Beasties didn't have the skills to consistently provide a worthy product for over a decade. And that, they have done. They are in fact one of the longest-lived hip-hop acts of all time. And that descriptor doesn't even take into account the punk/rock side that they showed us on classic albums like Check Your Head and Ill Communication.
The Beastie Boys are back in 2007 to write yet another chapter of their prolific career, with an entirely instrumental album titled The Mix-Up that will hit shelves on June 26th via Capitol. It will be their first release since 2004's To the 5 Boroughs, which, as good as it was, didn't quite equal the mastery of Hello Nasty. Pfork recently had a chat about the new album with Mike D, who provided the skinny:
"The album's title "is a bit of a double entendre, if you will. Any record we make is always about combining different ideas or different influences we have, and then with this record, it's an instrumental album. There are no vocals, no samples. We played everything. But as different as that might be from To the 5 Boroughs, it's equally different from instrumental songs we've done before, like the ones that were on The In Sound From Way Out! That was kind of one direction and this one [has] different influences, like Public Image Ltd., Gang of Four, the Slits, Killing Joke."

Even though The Mix-Up is a "post-punk instrumental" album, the Beasties have no plans to ditch vocals for good. In fact, they are currently planning another version of the album that will feature collaborations with "a pretty wide array" of "mostly newer" vocalists.
If this isn't cause for a Beasties-Appreciation-Revival, then I don't know what is. The Mix-Up is one of the most easily enjoyable mainstream releases that I have heard in some time. The album's tracklist plus two of my favorite selections from it, below...
  • The Beastie Boys - The Mix-Up (June 26, 2007)
  1. "B for My Name"
  2. "14th St. Break"
  3. "Suco de Tangerina"
  4. "The Gala Event"
  5. "Electric Worm"
  6. "Freaky Hijiki"
  7. "Off the Grid"
  8. "The Rat Cage"
  9. "The Melee"
  10. "Dramastically Different"
  11. "The Cousin of Death"
  12. "The Kangaroo Rat"
I had the entire "Beastie Boys at the Loreley Festival" bootleg on my hard drive, but somehow I've only been left with these two tracks. If anyone out there has the full boot and would be so kind as to send it my way, it would be much appreciated.
And, I'm reposting these two remixes from our pal Leo, because they're just that good.