Friday, July 24, 2009

Crocodiles - Summer Of Hate

AV Club:

"Taking their name from Echo & The Bunnymen’s debut, Brandon Welchez and Charles Rowell employ an equally indebted pop template, cribbing shades and poses from The Jesus And Mary Chain in equal measure. But it isn’t just a genre study. The heat-seeking “I Wanna Kill,” though something of a sonic Frankenstein, boasts a carrier-sized chorus and four-note lick that’s simple, addictive garage candy."

Allmusic:

"The crunchy guitars bring to mind Spacemen 3, the tremolo keyboards and drum machines show reflections of Suicide, and the production style of cavernous vocals masked by sheets of white noise comes straight out of the Jesus and Mary Chain handbook. While many other bands out there have attempted to rehash the scummy sounds of yesteryear, rarely does anyone take it to another level so successfully."

Fat Possum:

"Poppy vocal melodies are crushed with harsh electronic drums or lifted and left floating in spaced-out noise and echo. loud, wiry guitars jab wildly like mutant synapses skirting along a tightrope drone.This is the dark side of the California sun."

Pitchfork:

"This sucks."

New Yo La Tengo

Via Matador:
"Recorded in Hoboken and Nashville in early 2009 with longtime associate Roger Mountenot, ‘Popular Songs’ finds the trio of Georgia Hubley, Ira Kaplan and James McNew at the height of their creative powers, fashioning an epic work that’s cooly confident as it is wildly adventurous."
Popular Songs is out on September 8, but if you get down with their Buy Early Get Now scheme you'll get the full album stream starting August 4, with exclusive bonus MP3s to follow, a vinyl LP featuring Yo La Tengo’s Orginal Score from the Motion Picture “Adventureland”, and a fancy poster. You can also pre-order ‘Popular Songs’ directly from The Matador Store.

They have made two of the new songs available for download, and they both jam:

Lord Scrummage - From The Future


From the Future is the first full length debut for experimental trio Lord Scrummage. The Detroit based band is made of Conor Edwards, Alex Lauer, and Ben Christensen, all current members of indie rock band Benny Stoofy. The term “scrummage” stems from the genre which refers to a collective group of musicians in the Detroit music scene who share an underground experimental sound.

The first track on their album 'From The Future' takes world music to a whole different level with its infused tribal drums and hindu sitar rifts over faint female vocals. Despite being a mere 2 minutes, the track proves to be an appropriate instrumental interlude into an experimental cough syrup world.

The melodic instrumental arrangements in “Clyd Moop How Did You Know,” further propel the listener into an abyss of laser lights and imaginative space rock. “Abe Lincoln’s Skeleton” is a mind altering substance in the form of 70’s science program keyboards, with haunting vocals that highlight the plaintive psychedelia of the piece while remaining an organic layer in the fabric of submersive consciousness.

The track “Captain Rat,” begins with an ambient Final Fantasy piano riff amidst lyrics about animals before transporting the listener to a simulated Rainforest CafĂ© experience topped with a bird squawking, lion roaring, insect buzzing goodtime. Like many of the tracks on the album, the billowing analog synth clouds surrounding barely lucid vocoder vocals offers the listener an escape from the real world.

Truthfully, Lord Scrummage is the equivalent of licking an entire LSD sheet and finding yourself sitting between Dan Deacon and Deastro at a Black Moth Super Rainbow show. The band is giving 'From The Future' away for free via their myspace page.
  • Lord Scrummage - "Dead Dogs"

Atlas Sound v Panda Bear


Bradford Cox and Noah Lennox should collaborate more often. "Walkabout" is the first from the forthcoming Atlas Sound album Logos, out on October 20 via Kranky. According to the Fader "The song samples the bubbling keys of “What Am I Going to Do” by the Dovers, as inspired by some tour bus song games between Cox and Animal Collective, and reflects that song’s simple and beautiful pop, with Cox and Lennox’s signature soft layers."
and here's a tune from Deerhunter's Rainwater Cassette Exchange EP

Thursday, July 23, 2009

Pretty Lights



Pretty Lights is the musical vision of the ultra-versatile Colorado based producer Derek Vincent Smith. At a time when music lovers from almost all subcultures and genres are finding common ground in the basic form of bangin' beats, Pretty Lights is giving the people what they want; electro organic cutting-edge party rocking beats that fill venues with energy and emotion and send dance floors into frenzies.Get more Pretty Lights at prettylightsmusic.com.

Wednesday, July 22, 2009

Fresh Vile


Here's a few more tracks from The Fresh & Onlys, the Bay-area band I told you about in May. These garage nuggets come from the limited edition Bomb Wombs cassette they had for sale at the recent Woodsist Festival, which also featured Thee Oh Sees, Crystal Stilts, Kurt Vile, Woods and Little Girls. I think you can email the folks at Woodsist if you want a copy of the cassette.


While we're partly on the subject of Kurt Vile, here's a cool new song from his Fall Demons 7''. The Philly singer-songwriter is now signed to Matador Records, who will be releasing his album Childish Prodigy later this year. You can pick up the 7'' via skulltones.com.

Black Lips Drugs Video


Moral of the story:

If you're a kid, and you're on drugs, be careful with the cookie jar.

Black Lips are back in Austin on 10/09 at the Mohawk.

Tuesday, July 21, 2009

Sonic Youth - The Eternal


I finally got around to checking out this new Sonic Youth album, and discovered that it rocks pretty hard. Instead of writing and rehearsing a bunch of songs in one time period, the band composed two to three tracks every other week and after a solid month they had a dozen killers. Here's an excerpt from their bio on the Austin City Limits Festival:
Half of Sonic Youth’s name doesn’t really apply anymore, as three of its four members are in their 50s. This year’s The Eternal is the band’s first independent release in 20 years, but all that really matters is that it’s a new Sonic Youth album — meaning it’s smart and punky, arty and strange. And if that all sounds brainy, the band remains a slayer on stage.
Sonic Youth will play the 7pm slot on Sunday at ACL Fest, opposite Girl Talk and Dan Auerbach. Decisions, decisions. Go to aclfestival.com to check out the full schedule. Here are two songs from The Eternal, with descriptions written by the band.
"Melodious ode to fleeting fantasy and unresolved desire with the sound of two analogue radios communicating the emotional action."
"First song written for the album, with a nod to The Wipers of Portland, Oregon. A confrontation with the devil in his guise of temptation and staking a distinct place amongst the black legions."

New Circulatory System


Elephant Six fans rejoice, a new Circulatory System album drops soon. Signal Morning is set to arrive via Cloud Recordings on September 8, 2009. Here is what people said about their self-titled debut, a few words from the press release, and Signal Morning track "The Spinning Continuous" with our old pal Jeff Mangum on drums.
Seven and a half years in the making, culled from hours of recorded material sculpted in at least seven different studios, the new Circulatory System album is an absolutely stellar document of song and sound. Still concerned with matters of the inner/the outer, the incomprehensibly huge and the very, very small, Signal Morning is an imperative blast of kinetic motion. Featuring all the members of The Olivia Tremor Control, as well as Jeff Mangum and Julian Koster of Neutral Milk Hotel, Signal Morning has been eagerly anticipated since the release of the first Circulatory System record earlier this decade.

More Places to Bury Strangers


A Place To Bury Strangers were one of the best live bands I saw last year. Total sonic annihilation never sounded so good. They destroyed the Siren Festival and Coachella earlier this year, and will embark on a US tour this October with support from Dead Confederate. Just a heads up, they're back in Austin on October 11th at the Mohawk. So, that's where I'll be. Here's a press release discussing their new album:
A Place To Bury Strangers release their sophomore album, "Exploding Head" via Mute October 6, 2009. The band had one simple goal during the recording process: "The original idea," says vocalist/guitarist Oliver Ackermann, "was to create the craziest, most f'ed-up recording ever."

The result is 43 mesmerizing minutes of pain as pleasure. You'll be checking the levels on your living room stereo from the moment "It Is Nothing" pulls everyone in earshot through a vortex of groove-locked rhythms and back-spun power chords (hammered out by drummer Jay Space and bassist Jono MOFO).

You'll be sucked in and blown away by the paranoid android pop of the album's first single "In Your Heart," the gorgeous gate-crashing melodies of "Keep Slipping Away," the Chinese water torture chords of "Lost Feeling," the sputtering percussion of "Everything Always Goes Wrong," the apocalypse now effects of "Ego Death," the sinewy, slightly sinister overtones of the title track, and the firework finale flare-ups of "I Lived My Life To Stand in the Shadow of Your Heart." The collection makes up the band's most realized recording to date.

During the "Exploding Head" recording process engineer Andy Smith (Paul Simon, David Bowie) took the band to "a whole other level" says Ackermann. "I love the interplay and contrasts between something that's pretty and something that's scary," he explains. "Taking listeners to different places—even in one song—is so important, whether it makes them cry or pissed off. If you listen closely, some of the riffs on this record are actually like Ramones songs or '60s bubblegum pop."

Called "the most ear-shatteringly loud garage/shoegaze band you'll ever hear" by the Washington Post, A Place To Bury Strangers are now poised to blow minds and speakers alike. Says London's NME; "The pleasure pain threshold has rarely been more blurred, but rock this ferociously soulful is only good for you if it hurts," as they noted A Place To Bury Strangers as on of the Ten Best Bands of SXSW 2008. Their debut release earned them a "best new music" distinction and enduring support from Pitchfork, and they have toured with the likes of Nine Inch Nails, MGMT, Holy F**k, The Dandy Warhols and Black Rebel Motorcycle Club.

Friday, July 17, 2009

Julian Plenti is Skyscraper


Creating an alter ego is scary business. You can either become an infamous rock legend like Bowie's Ziggy Stardust (not to ignore Sgt. Pepper's Lonely Hearts Club Band, also just a tad bit successful) or you can cause an unanimous "WTF" reaction from the entire North American continent like Chris Gaines.

So when I heard about Interpol's Paul Banks releasing a solo album under the new persona Julian Plenti, my immediate thought was "this is going to be really cool, or just really suck." Banks has apparently had this persona laying around for a while, using it even before Interpol. Some of the songs on the solo album were apparently written as long as 10 years ago.

Turn On the Bright Lights is one of my favorite albums. I think it is flawless from front to back, and I'm not the only one who shares that opinion. By Interpol's last album, Our Love to Admire, I felt worn out on them. I felt like it wasn't that the band wasn't experimenting enough, but that they weren't experimenting at all. The band and the sound wasn't growing, and had grown stale.

All that said, you can understand my expectations for this Julian Plenti thing. I really wanted something different, not necessarily better by leaps and bounds. This album definitely delivers something different (though some tracks you could argue otherwise). There are some cool songs, including "Skyscraper," and Bank (sorry, Plenti) knows what he does best vocally. I have a feeling he's going to get some critical hazing (I'm betting a 6.1 on Pitchfork) but I wouldn't let that deter you from judging for yourself. I really like it.

Monday, July 13, 2009

Lord Scrummage


Lord Scrummage hail from Detroit. Their sound is a playful, experimental take on dance music with a psychedelic edge. Listening through their debut full-length album 'From The Future' I hear elements of Black Moth Super Rainbow, Dan Deacon, and something else I can't quite put my finger on.

Whatever it is, I kind of like it. Apparently Lord Scrummage is a concoction of other Detroit-area bands who have created their own little scene in the Rock City. Check this link for an in-depth look at the whole scrummage thing.

New Flaming Lips


Here are a couple of tracks from the forthcoming Flaming Lips double-album Embryonic. I'm expecting nothing less than awesome. The only specific release date I've found is September 29, 2009.
Check The Insider and Billboard for more on the new album:
"This marks their first full studio set in three years following their Grammy Award-winning At War with the Mystics. EMBRYONIC, The Lips' 12th album, was recorded in Fredonia, NY and Oklahoma City, OK, with studio whiz and general co-conspirator Dave Fridmann and just may be their most sonically adventurous and compositionally vernal form of musical expression ever."
The Flamings Lips covering Madonna:

Friday, July 10, 2009

Video: Heartless Bastards



Other locals on Luxury Wafers:

Wooden Birds, Boxing Lesson, Oh No Oh My

Thursday, July 09, 2009

Tuesday, July 07, 2009

Covert Concert Picks


Here are our picks for live music in Austin this week, with a few tunes to get you in the mood. Use the links to get more information about everything. We're giving away Spoon tickets on Twitter, so follow us if you want in.

Thursday:


also:
Friday:


also:
Saturday:


also:
Sunday:


Grizzly Bear vs Lil Wayne


VeckaFlyest is a short but sweet project by NYC production duo The Soundmen, pairing Grizzy Bear samples and Lil Wanye's vocals. Their production has been featured and written about in URB, the FADER, and The New York Times among other publications. You can download the Veckaflyest production as a zip file right here, and find the dudes on myspace here and here.

Monday, July 06, 2009

Universal Studios Florida


Universal Studios Florida sounds like Air France as imagined by The Field, with with occasional glimpses of Animal Collective/Panda Bear and Caribou. USF create ambient beach pop with some tribal/drone influences, and their album Ocean Sunbirds is full of tropical atmospherics that arrives just in time for summer.

Not to be listened to in pieces, this music is designed to work together seamlessly from start to finish. Their MySpace describes their sound as “Dense tropical percussion with golden, shining synth lines in an ambient valley where big beat drops are just around every corner.” Recommended for fans of the aforementioned bands as well as High Places and Ducktails.

Saturday, July 04, 2009

Friday, July 03, 2009

Neon Indian


Neon Indian is a new project from VEGA's Alan Palomo. The Austin/Brooklyn-based duo's debut album Psychic Chasms is scheduled to be released in October via Lefse Records, and is full of warped, electro-psych-pop goodness. I heard a couple of their songs yesterday and they've been playing in my head ever since. Here are some words from the press release:
"Neon Indian delivers equal parts synthetic nostalgia, Dreampop lullabies, and grinding guitar noise to create something eerier than the sum of its parts. Forged after a hazy winter gathering in Texas, this initial batch of tracks were the result of field recordings, record samples, a collection of bizarre synth sounds. Orbiting around the themes of drug induced heartbreak, weary afternoons, and lost chances, this music provides a lush soundtrack to the deadbeat exploits of teenage ennui."
The only show on Neon Indian's calendar so far is at the Monolith Festival in Colorado this September. The lineup also includes Yeah Yeah Yeahs, Girl Talk, The Thermals, HEALTH and Deer Tick. Sounds like a damn good festival. You can catch VEGA at Club de Ville on Friday, July 17th.

Thursday, July 02, 2009

Ratatat at Lee's Palace


This is the best live recording of Ratatat you will find. It's from a show they did back in 2004 at Lee's Palace in Toronto. I've got your easy download link for the whole set right here. Enjoy.
Ratatat - Live at Lee's Palace:
  1. Ratatat - "Noose"
  2. Ratatat - "El Pico"
  3. Ratatat - "Desert Eagle"
  4. Ratatat - "Crips"
  5. Ratatat - "Germany to Germany"
  6. Ratatat - "Breaking Away"
  7. Ratatat - "Kennedy"
  8. Ratatat - "Seventeen Years"
  9. Ratatat - "Cherry"

Wednesday, July 01, 2009