Photos of HEALTH at Red 7 - June 26, 2010
One of the best shows I've seen this year.
All photos by Mary Rehak
Click here to see the full set
One of the best shows I've seen this year.
All photos by Mary Rehak
Click here to see the full set



































"Someday soon you'll be on fire, and you'll ask me for a glass of water. I'll say no. You can just let that shit burn, and you'll say please please please put me out. I promise not to do it again, whatever I did to you."This is the third video from Hippies, the second full length album from Harlem. The songwriting and vocal duties are evenly shared by Michael Coomer and Curtis O'Mara, who switch between guitar/vox and drums alongside newly-added bassist Jose Boyer. Harlem will be opening a bunch of shows for The Dead Weather starting next month, along with a stop at the Village Voice Siren Music Festival.

Fresh Millions is a live electronic band from right here in the ATX. After much time spent at the drawing board, the funk-infused dance rock trio released their self-titled debut album earlier this year via Insect Records. Using an animated mix of computers, synthesizers, and live instruments, Fresh Millions blends disco-era bass lines and electro-era pop with heavy, danceable beats. The band made the excellent choice of luring in Bryan Richie of The Sword to handle production on their album, making it the metal head's first foray into electronic music.
Tobacco is the mad scientist/frontman of Black Moth Super Rainbow, and Maniac Meat is his sophomore solo effort. Is has been said many times before, but this guy really is like a one-man genre. Nobody sounds like him, and he doesn't sound like anyone else. His tools of the trade are vintage analog synthesizers, vocoder-ized vocals, melted basslines, barrels of distortion, psychedelic fuzz, 8-bit videogame sounds, and danceable drum machine beats.From Anticon:
"Seemingly relegating Black Moth Super Rainbow to “side project” status, that band’s mastermind TOBACCO returns with a record designed to bully his previous works into a corner, gut them, and leave ’em for dead. Though Maniac Meat is steeped in the Pennsylvania-based artist’s swampy analog aesthetic, this is not an album about looking back – neither to the black psychedelic pop of BMSR, nor to the warped rap thump of TOBACCO’s 2006 debut, Fucked Up Friends.
Rather, this album emerged as antithesis. TOBACCO crafted Maniac Meat as he put the finishing touches on BMSR’s more accessible last record, Eating Us, treating the solo release as a depository for his more primal urges. The only live instrumentation to cross over was the guttural stuff: thrashing bass and clanging drums. But even as the TOBACCO material grew darker, deeper and nastier in tone, it also became something with real swag. Not a hip-hop record, per se – just something that parties like one."

"Erika Thrasher and Tex Kerschen wrote and recorded the record in 2009 in Houston and Los Angeles. In it is the swamp electro of 2003's We Are The Wild Beast, the nightmare throb of 2005's Invasive Exotics, and the sonic angel dream of 2008's Free Gold. It's like arriving to the beach, headspun and weightless after a sleepless night, only to remember that a hurricane has come and wiped almost everything away. Hard grass crawls back over the improvised dunes, a few men fish in the surf, and Tejano music plays from the speakers of a parked pick-up."Indian Jewelry are back in Austin this Saturday at Red 7, opening for HEALTH. It will be one hellacious show. You can pick up tickets in advance via www.red7austin.com.

Your entertainment for the night:



"There’s something intentionally seductive layered into Candy and the Strangers LP - a permeation of sex into dark, driving, indie-rock, which makes for good listening by principle (think of the successes of international act the XX, or the awkwardly erotic phonetics of Nico with the Velvet Underground.) A little tension is good, and Candi and the Strangers seem to revel in the fusing of dark, bedroom-style synth-pop with breathy, subdued, near-hypnotic female vocals."

Ben Redman: 11-year old Ben has been playing drums since before he could walk. His skills were honed through classical jazz training from the age of 5. His musical inspirations include Neil Peart (RUSH), Jon Bonham (Led Zeppelin), Terry Bozzio (Frank Zappa) and Dominic Howard (Muse). Ben also plays guitar and sings.
Max Redman: 9-year old Max Redman followed in his big brothers footsteps with music at an early age, with lessons beginning at age 6. Max’s musical influences range from Jimmy Page (Led Zeppelin), Eddie Van Halen (Van Halen), Jack White (White Stripes) and Matthew Bellamy (Muse). -Above The Radar